Such persistent pressure accounts both for the enormous production of many 18th-century composers and for the remarkable speed at which they worked. Vivaldi was expected to provide new musical compositions for every periodic festival at the Ospitale della Pietà in Venice. There were no “classics,” and few music works continued to be in use after more than two or three seasons. It was in the concerto – a particular form he adopted from Giuseppe Torelli (1658-1709) and Areangelo Corelli (1653-1713) and passed on to Johann Sebastian Bach – that he achieved his greatest success.Ī characteristic of the 18th century which is hard for people today to understand, yet which was very important, was the incessant public demand for new music. The list of his compositions include approximately fifty operas, besides two oratorios, twenty-four secular cantatas, twenty-three sinfonias, seventy-three solo or trio sonatas, and about four hundred and fifty concertos. He died in Vienna in July 1741, and, like Mozart, was buried in a pauper’s grave. However, he failed to receive royal favour, and the last days of his life Antonio Vivaldi spent in that city in miserable poverty as obscure person. In 1740, Vivaldi went to Vienna with the purpose to find a profitable post at the court of Charles VI. In 1735, he returned at his post at the Ospitale in Venice. At the same time, he travelled about Europe a great deal, achieving widespread reputation as a virtuoso violinist. In 1703 Antonio Vivaldi became a teacher of the violin at the Ospitale della Pietà in Venice, later working as its musical director for a long time. He also composed a considerable number of pieces. However, he did not forsake music practices completely all the while he developed himself as a master of violin technique. Although Vivaldi’s father worked as a violinist in the orchestra of the San Marco Cathedral and Antonio himself was early given teaching in music, Vivaldi began his professional career not in music, but in the Church. Antonio Vivaldi – who contributed to the development of instrumental music of the Baroque Era and brought it to the most advanced stage of technical and artistic development before Johann Sebastian Bach – was born in Venice, Italy, possibly on June 11, 1669.
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